The Swedish Theory of Love у Ostrava. Розклад та квитки на найближчі фільми. Refill Ostrava, чт, 31.01.2019, 18:00. Знаходьте останні новини, квитки, актуальну інформацію на GoOut. Ми знаємо про всі найкращі події. In Sternberg's theory, the concept of love is a triangle that is made up of three components. Some of these types of love are focused on the love between two people in a romantic or sexual relationship, but these types of love also apply to other forms of interpersonal relationships . The three components are: Intimacy, which involves feelings The Swedish Theory of Love digs into the true nature of Swedish life style, explores the existential black holes of a society that has created the most autonomous people in the world. Internationally Sweden is seen as a perfect society, a raw model and a symbol of the highest achievements of human progress. The Swedish Theory of Love: Directed by Erik Gandini. With Erik Gandini, Lars Trägårdh, Marie Helena Fjällås, Marta Corradi. Internationally Sweden is seen as a perfect society, a role model and a symbol of the highest achievements of human progress. So i didnt problematized the immigration per se. I made a nuanced analysis and problematized the Swedish society. SVT and expo would probably calling me a russian troll. Which would be a conspiracy theory. I am a man of the Swedish society and sees it for what it is. Amazon.com: The Swedish Theory of Love: Individualism and Social Trust in Modern Sweden (New Directions in Scandinavian Studies) eBook : Berggren, Henrik, Trägårdh, Lars, Donovan, Stephen: Kindle Store c7bH. Film-maker Erik Gandini’s (Gitmo, Videocracy) latest docu-essay looks at Swedes’ obsession with independence and self-sufficiency and how this ideal, coupled with a welfare state that provides for every physical need, produces loneliness and alienation. Using an infographic plotted by social historian Lars Trägårdh that posits Sweden as the most secular and individualistic of societies, Gandini segues from theory to practice with a disjointed series of anecdotes. We meet sperm-bank donors and clients, state investigators trying to find the next of kin of old people who died alone and a suicide who wasn’t found for years because all his standing orders were paid automatically. By way of contrast, here are some nice Syrian refugees learning that, to make friends with Swedes, they must be on time, and there are some hippies in the woods stroking each other. Meanwhile, in Ethiopia, a Swedish doctor has turned his back on hi-tech medical equipment and anomie to fix broken bones with bicycle spokes and plumber’s clips, because that’s all his hospital can afford. It doesn’t really add up to much of an argument, jollied along as it is by stylised editing and jaunty ironic the trailer for The Swedish Theory of Love Sweden is typically portrayed as having a perfectly organized society in which everyone has equal opportunities for an independent existence. One upshot is that people don’t need to ask anyone else for help or favors, bringing contact between individuals to an absolute minimum. Half the population lives in single households, and more and more women are choosing for single motherhood through artificial insemination. Meanwhile, the number of people dying alone is continually on the rise. The woeful succession of sperm banks, deserted neighborhoods and forgotten deaths casts a disturbing light on the downside to an independent society in which the only truly social activity appears to be searches for missing persons. The film raises the fascinating question of why a life lived in such security and safety should turn out to be so unsatisfying. Some Swedes are putting up courageous resistance: young people are organizing gatherings in the woods to surrender to emotions and caresses; a successful surgeon moved away to Ethiopia, where despite the lack of material wealth he relearned the value of community. In conclusion, maverick sociologist Zygmunt Bauman explains why a trouble-free life isn’t necessarily a happy Gandini for Fasad, Juan Pablo Libossart for FasadCo-productionZentropa Entertainment, Indie Film, Film VastCinematographyVania Tegamelli, Carl NilssonIDFA history Codzienne newsy o filmach i serialach. The Swedish Theory of Love Szwedzka teoria miłości .......... Directed by Erik Gandini Release date15 Listopad 2015Czas trwania90 minut RYM Rating / z 58 ocen Ranked#245 w 2015JęzykEnglish, Swedish Genres Documentary Share Rate/Catalog Katalog In collection Na liście życzeń Posiadane kiedyś (not cataloged) Tagi Enter tags, separated by commas Zachowaj To rate, slide your finger across the stars from left to right. Crew Erik Gandini Director, Screenwriter, Producer Johan Söderberg Composer: Original Music, Film Editor Fredrik Wenzel Assistant Cinematographer Details CechySweden, ColorProduction CompaniesFasad Cine AB, Indie FilmAlternate titlesLa teoría sueca del amor. El secreto de la felicidad (tr/es) La teoria svedese dell'amore (tr/it) Szwedzka teoria miłości (tr/pl) Expand alternate titles [+3] Reviews There are no reviews for this film. You can write a review by pressing the "review" button above. Votes are used to help determine the most interesting content on RYM. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. Vote down content which breaks the rules. Catalog Ratings: 58 Cataloged: 12 Rating distribution Rating trend .......... Cast Crew Erik Gandini Director, Screenwriter, Producer Johan Söderberg Composer: Original Music, Film Editor Fredrik Wenzel Assistant Cinematographer Details CechySweden, ColorProduction CompaniesFasad Cine AB, Indie FilmAlternate titlesLa teoría sueca del amor. El secreto de la felicidad (tr/es) La teoria svedese dell'amore (tr/it) Szwedzka teoria miłości (tr/pl) Expand alternate titles [+3] Comments Rules for comments Be respectful! All the community rules apply here. Keep your comments focused on the film. Don't post randomness/off-topic comments. Jokes are fine, but don't post tactless/inappropriate ones. Don't get in arguments with people here, or start long discussions. Use the boards for extended discussion. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. Don't comment just to troll/provoke. Likewise, don't respond to trollish comments; just report them and ignore them. Any spoilers should be placed in spoiler tags as such: [spoiler](spoiler goes here)[/spoiler] Note: Unlike reviews, comments are considered temporary and may be deleted/purged without notice. 1 List W 1972 roku w Szwecji partia socjalistyczna opublikowała manifest „Family of the Future", nakreślających wizję świata wolnych, równych ludzi, w którym znikną wszelkie więzy zależności ekonomicznej. Kobiety miały wyzwolić się spod władzy mężczyzn, starsi nie musieli już polegać na dobrej woli dorosłych dzieci, a najmłodsi zyskiwali pełnię praw i opiekę państwa. Reżyser przygląda się dzisiejszej Szwecji i pokazuje wielowymiarowe konsekwencje wprowadzenia wywiedzionych z ducha 1968 roku rozwiązań. Okazuje się, że niezależność – podstawowa wartość u naszych zamorskich sąsiadów – ma swoją ciemną stronę. Dziś aż jeden na czterech Szwedów umiera samotnie, a zdarza się, że ciała samotnie zmarłych znajdowane są dwa lata po ich śmierci. Szwedki są największą grupą wśród klientek banku nasienia. Pragną potomstwa, ale nie są w stanie zbudować trwałej relacji z partnerem, bo wymaga ona kompromisów i wyrzeczeń. Film jest brawurowo zrealizowanym kalejdoskopem tego bliskiego a zarazem bardzo egzotycznego z polskiej perspektywy kraju. To prawdziwe laboratorium przyszłości, przypominające niekiedy dystopijne filmy SF. Kontakty ludzkie realizowane za pośrednictwem organizacji społecznych, brak socjalizacji, ucieczka przed wszelkimi trudnościami, zanik umiejętności interakcji, niechęć do obcych (Szwecja to kraj, gdzie imigranci integrują się zdecydowanie najwolniej w Europie) – to wszystko ciemne strony kraju, który często stawiamy sobie za wzór. Zygmunt Bauman, pojawiający się w filmie, nie szczędzi Szwedom gorzkich słów. Państwo zapewnia im wszystko, oprócz umiejętności bycia z innymi ludźmi. Film pokazuje także uciekinierów z pozbawionego ludzkiego ciepła raju – lekarza, który dopiero w Etiopii odnalazł sens życia czy dziwaczną sektę lubującą się w orgiach urządzanych na leśnych polanach... Film nie daje prostych odpowiedzi – każdy sam musi sobie odpowiedzieć na pytanie, czy z drogi ku niezależności da się w ogóle zawrócić i czy ceną za wolność musi być dojmująca samotność.

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